I’m excited to share that my work ‘The Nowness of Everything’ will be performed on 4th December at the 6th Autumn Waves Festival, Project(ion) Room, Brussels, organised by the Belgian Federation for Electroacoustic Music (FeBeME-BEFEM).
It’s an honour to be part of such a varied programme celebrating the richness of electroacoustic music in its various forms.
Festival runs 4-7th December.
I was recently invited to perform at the prestigious acousmatic music festival L’Espace du Son, held at the Marni Theatre in Brussels from 15–19 October 2025. Now in its 32nd year, L’Espace du Son is one of the world’s leading electroacoustic music festivals, dedicated to acousmatic works. It features a loudspeaker orchestra of 110 speakers, enabling live projection and spatialisation of music to create truly immersive listening experiences.
My ‘Portrait’ concert included both stereo and multichannel pieces, and it was a fantastic opportunity to work with a system that allowed for new spatialised interpretations of my music.
The festival’s programme was outstanding, showcasing an inspiring range of works by internationally renowned composers and emerging artists in the field. It was an absolute privilege to be part of such a rich and diverse lineup.
Many thanks to Annette Vande Gorne and the team at Musiques et Recherches for the invitation and their warm welcome.
I’m excited and delighted to have been invited to perform at L’Espace du Son 2025 in Brussels. It is a fantastic programme featuring amazing practitioners. Do come if you’re in Brussels!! My concert is on 19th October.
In September 2023 I completed a composer residency at Visby International Centre for Composers. It was a great opportunity too immerse myself in composing for a week and begin work on a new project. The studio there is an amazing, with amazing monitoring and lots of software to explore.
Thanks to Sten Melin for the welcome!
I’ve just spent five days as a composer in residence at EMS Stockholm. It’s been brilliant to spend some concentrated time exploring the creative possibilities of spatial sound on their 16-channel speaker system in Studio 2. Thanks to Henrik, Mats, Julia, Gabrielle and Mats for the invitation, the warm welcome, and tech support over the week.
I’m really pleased that my composition ‘Reflecting Cau Cau and Parque Urbano El Bosque‘ is on the programme at Sonic Cartography: Soundscape, Simulation and Re-enactment SC2022, which is taking place at the University of Kent in the Historic Dockyard. I’m looking forward to attending.
I’m really pleased that my composition ‘Reflecting Cau Cau and Parque Urbano El Bosque‘ is on the programme at ICMC 2022, which is happening next week at University of Limerick, Ireland.
The concert is on Monday 4th July at 1430. Looking forward to it!
I’m delighted to have been invited to give a lecture at the Composing With Technology symposium at the Conservatorium van Amsterdam, Amsterdam University of the Arts, on 1st May. A great programme with some very interesting talks and a concert.
The symposium will take place at the Amsterdam Blue Note. Looking forward to it!
I recently presented a paper, Variability and the spatial setting: emergent properties and sound relationships in acousmatic music, at the EMS Network conference. It was great to present this paper at the conference last month in Leicester, and it’s also great to see it now available online. In it I discuss a classic electroacoustic work, Capture éphémère, by the inspirational Bernard Parmegiani.
ambrose seddon 