Compact disc and digital releases

Seddon, A., 2021. Reflecting Cau Cau and Parque Urbano El Bosque. In: Soundlapse. Grunrekorder. GrDl 207. Digital download.

Seddon, A., 2020. Espaces éphémères. YMX Média / empreintes DIGITALes. IMED 20169. Compact disc and digital download.

Seddon, A., 2019. Tipping Points. In: The Museum of Ecoacoustic Phenomena. electricbackroom STUDIO. Compact disc and download.

Seddon, A., 2018. Traces of Play. In: Métamorphoses 2018. Musiques & Recherches. MR 2018 / 2019. Compact disc.

Seddon, A., 2012. Fleeting Strands. In: Métamorphoses 2012. Musiques & Recherches. MR 2012 / 2013.

Seddon, A., 2007. Fouram. ICMC 2007 Conference CD. International Computer Music Association. Compact disc.

Book chapters

Seddon, A., 2016. Temporal recurrence in Andrew Lewis’s Penmon Point. In: Emmerson, S. and Landy, L., eds. Expanding the horizon of electroacoustic music analysis. Cambridge: Cambridge University Press, 231–246. ISBN: 9781107118324.

Journal Articles

Seddon, A. 2021. Review of Miller Puckette and Kerry L. Hagan (eds.) ‘Between the Tracks: Musicians on Selected Electronic Music’. Organised Sound, 26 (3), 422-427. DOI: 10.1017/S1355771821000510

Seddon, A., 2015. Higher-level relationships in Dhomont’s Novars. Musimédiane, 8. ISSN 2109-9685. [Available: http://www.musimediane.com/8seddon/]

Seddon, A., 2014. Trevor Wishart’s Globalalia: Initial Listenings and Question Marks. eOrema Journal, 2. ISSN: 2052-7888 DOI: 10.3943/001.2014.08.0203 [Available: http://www.orema.dmu.ac.uk/eorema/trevor-wishart’s-globalalia-initial-listenings-and-question-marks]

Conference Proceedings

Seddon, A., 2021. Variability and the spatial setting: emergent properties and sound relationships in acousmatic music. In: EMS21 (Electroacoustic Music Studies Network Conference) 10–13 November 2021 De Montfort University, Leicester, UK. [Available: https://zenodo.org/record/5774912#.Ybdvli2l0UQ]

Seddon, A., 2011. Investigating Recurrences in Andrew Lewis’s ‘Penmon Point’. In: Wolfe, M. and Hill, A., eds. Sound, Sight, Space and Play 2010 2-4 June 2010 De Montfort University Leicester. Leicester: Sound, Sight Space and Play Postgraduate Symposium for the Creative Sonic Arts. [Available: http://www.dmu.ac.uk/documents/technology-documents/research/mtirc/sssp201003seddon.pdf DOI: 10.5281/zenodo.5774912]

Seddon, A., 2007. Recurrence in Acousmatic Music: Creative and Analytical Possibilities. In: EMS07 Electroacoustic Music Studies Network Conference 11-15 June 2007 De Montfort University Lecester. Leicester: Electroacoustic Music Studies Network. [Available: http://www.ems-network.org/spip.php?article281]

Seddon, A., 2006. Recurrence and Sound Material Identity in Acousmatic Composition. In: Digital Music Research Network 22-23 July 2006 Goldsmiths College, University of London. London: Digital Music Research Network. [Available: http://doc.gold.ac.uk/~map01ra/dmrn/events/dmrn06/papers/seddon2006recurrence.pdf]

Conference Presentations

Seddon, A., 2022. Composing for loudspeakers: some personal perspectives, approaches and reflections. In: Symposium Composing with Technology 1 May 2022 Conservatorium van Amsterdam, Amsterdam, Netherlands.

Seddon, A., 2018. Audible relationships in acousmatic music composition. In: CeNMaS Composers’ Conference 2018 27–29 April 2018 University of Sheffield, UK.

Seddon, A., 2017. Some reflections on using video feedback at Bournemouth University. In: CELebrate 2017 – Assessment and Feedback 13 Jun 2017 Bournemouth University, Bournemouth, UK.

Seddon, A., 2015. Notions of Landscape and Environment in ‘Fleeting Strands’. In: INTIME 2015 – Landscapes And Environments: Experimentation And Transformation In Sound And Music 24-25 October 2015 Coventry University, Coventry, UK.

Seddon, A., 2013. Trevor Wishart’s Globalalia: Analytical Agendas, Initial Listenings and Question Marks. In: OREMA Symposium 4 11 July 2016 De Montfort University, UK.

Seddon, A., 2012. Sound Material Correspondence and Temporal Relationships in Acousmatic Composition: Proposing a Taxonomy of Recurrent Phenomena. In: EMS12 (Electroacoustic Music Studies Network Conference) 11–15 July 2012 The Royal College of Music and Elektronmusikstudion, Stockholm, Sweden.

Seddon, A., 2012. Strategies and Methodologies in the Analysis of Penmon Point. In: OREMA Symposium 2 29 February 2012 De Montfort University, Leicester, UK.

Seddon, A., 2011. Developing a Taxonomy of Recurrence for Acousmatic Music: Sound Identity Correspondences. In: Sound, Sight, Space and Play 2011 8–10 June 2011 De Montfort University, Leicester, UK.

Seddon, A., 2010. Investigating Recurrences in Andrew Lewis’s Penmon Point. In: SSSP 2010 4–6 June 2010 De Montfort University, Leicester, UK.

Seddon, A., 2008. Working with Recurrent Phenomena in Acousmatic Music Composition. In: Royal Musical Association Research Students’ Conference 2008, 3–6 January 2008 University of Surrey, Guildford, UK.

Seddon, A., 2007. Approaches to Compositional Practice. In: UEA Visiting Seminar Series, 22 October 2007 University of East Anglia, Norwich, UK.

Seddon, A., 2007. Recurrence in Acousmatic Music: Creative and Analytical Possibilities. In: EMS07 (Electroacoustic Music Studies Network Conference) 11–15 June 2007 De Montfort University, Leicester, UK.

Seddon, A., 2006. Approaches to Electroacoustic Composition. In: Visiones Sonoras Festival Internacional de Música Electroacoústica y Nuevas Tecnologías 20–28 September 2006 Centro Mexicano para la Música y Artes Sonoras, Morelia, Mexico.

Seddon, A., 2006. Recurrence and Sound Material Identity in Acousmatic Composition. In: DMRN-06 22–23 July 2006 Goldsmiths College University of London, London, UK.