I’m pleased to announce that my chapter ‘Temporal recurrence in Andrew Lewis’s Penmon Point‘ has recently been published in the new book Expanding the horizon of electroacoustic music analysis, edited by Simon Emmerson and Leigh Landy and published by Cambridge University Press.

Published on 7^th April, this edited collection presents a state-of-the-art overview of analysis methods for electroacoustic music in this rapidly developing field. My chapter appears in the final section of the book, which demonstrates new analytical methods in action. The chapter focuses on the analysis of Andrew Lewis’s acousmatic work Penmon Point, exploring the various sound identities encountered during the work, how they function when they recur, and contemplating why they are significant.

More details are available here: www.cambridge.org/9781107118324 

And here: http://tinyurl.com/zw5sbo7